In a commissioned hip-hop number, choreographer Rennie Harris gave dancers freedom to interpret the choreography. Photo courtesy of NLG Photography.
ute piece set by award-winning Dallas choreographer Bridget L. Moore and inspired by
Romare Bearden’s 20th-century paintings and
collages of African American life. A 2011
commissioned work by Dianne McIntyre
on the life of Nina Simone just received a
$40,000 grant from the National Dance Project to help DBDT take it on tour.
Williams recently contracted New York
agent Jodi Kaplan with the goal of doing
more international shows, but DBDT spends
most of the year at home thrilling audiences
at the Wyly Theatre, public schools, and cel-
ebrations like the opening of Klyde Warren